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The twin siblings showed up to Fortunato's New Year's Eve 1979 party, greeted by a grateful Griswold, dressed as a court jester. After much schmoozing, Griswold eventually started hitting on Madeline, before the two retreated down to a soundproof basement. Here, Griswold realized that Madeline wasn't just seducing him—she was drugging him too. He passed out, waking up tied to a chair in a secret tiny room behind a brick wall being built. She's first present tending bar when Roderick and Madeline stop in on New Year's Eve 1979, and we don't know what's going on with them, but we know they're nervous about something. Throughout the rest of the series, Verna continues to show up—more than 40 years later, always looking exactly the same as the day she met them.
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These Are the Only Two Times Verna Breaks Her Rules in 'Fall of the House of Usher' - Collider
These Are the Only Two Times Verna Breaks Her Rules in 'Fall of the House of Usher'.
Posted: Sun, 31 Dec 2023 08:00:00 GMT [source]
By now, Roderick’s CADASIL disorder has started to affect his life through hallucinations of his dead kids. It's not just Verna's raven mask in that opening scene — raven imagery is a recurring theme throughout the series. There's a raven painted in front of the dilapidated building where Verna's bar appeared to be when Madeline and Roderick exit. On the surface, it's about a family — headed by patriarch Roderick Usher (Bruce Greenwood) and his twin sister, Madeline (Mary McDonnell) — and their greed. It's a parable of what the relentless pursuit of money and power might do to a group of people.
Verna met Roderick and Madeline at the crossroads
His granddaughter Lenore, whom he often refers to as “the best of us,” isn’t spared by The Raven. Verna tells Lenore that her mother will survive the acid burns she suffered after attending Prospero’s illicit warehouse party and go on to do great things in her name before The Raven kills Lenore earlier in the day. The Raven even targets Arthur Pym after he attempts to capture her at the Usher home with an offer for absolution once the Ushers are gone, but he chooses to test his fate and is arrested by series end. Thus, for a long lifetime of absolute control and wealth, Madeline and Roderick only have to agree that the day the twins die, so will their bloodline. For the Ushers, who grew up knowing their blood should’ve gotten them a seat at the table but didn’t, this offer is tempting and impossible to turn down.
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Fall Of The House Of Usher Star Details A Version Of Verna That Was Cut, But Is Still Glimpsed - Screen Rant
Fall Of The House Of Usher Star Details A Version Of Verna That Was Cut, But Is Still Glimpsed.
Posted: Thu, 28 Dec 2023 08:00:00 GMT [source]
Due to his father’s neglect, Roderick vowed not to turn his children away despite the circumstances around their births. Verna also calls Madeline one of her "favorites," indicating she's made deals with — and later wrought vengeance on — other power-hungry humans time and time again. That's also hinted at in the photographs that Arthur Pym digs up of an unaging Verna throughout the decades cavorting with prominent, wealthy, controversial figures like Donald Trump, John D. Rockefeller, and Mark Zuckerberg. We heard this banging throughout the series, and much like Momma Usher when Roderick and Madeline were children, Madeline was not quite as dead as she initially seemed.
This multicolored, turreted, upper middle class house was originally built in 1887 at the base of Mount Washington by real estate developer George Morgan. It has been called "picturesque eclectic," and is a mixture of the Queen Anne and Eastlake styles of architecture. Pasadena Ave. (now Figueroa Street) early in its existence, and bought by motorman James Hale and his new bride Bessie. The couple separated and Bessie converted the richly ornamented home into a boarding house.
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“What was really important to me was that there was a through line, so it wasn’t Carla Gugino doing a bunch of roles,” she said of her process. “What I was really interested in is a character who isn’t of this world, but is able to seamlessly be in this world.” Just like the raven that Poe writes about, Verna is always looking at things from a different vantage point. I doubt I will ever get that opportunity again,” Gugino said. He asked her to play a character inspired by “The Raven,” and she instantly agreed.
Afterward, the twins led the man to death with the perfect stage set for Roderick’s ascension. However, the twins went to a bar to build an alibi on the night of Griswold’s death. There, they met Verna, with whom they drank well past the ball drop until the bar ran empty.
Who is Verna in The Fall of the House of Usher, really?
From Bush and the Rockefellers to even Mark Zuckerberg, photos of Verna hobnobbing with famous, destructive people throughout history suggest that she is ageless. Ultimately, the cost of Verna’s deal is even higher than expected. Roderick becomes the head of a pharmaceutical company that pedals opioids, ruining the lives of millions of people in the process.
Although the Ushers don’t know it yet, Dupin has lied to sow seeds of doubt within their inner circle. Dupin’s plan takes effect, and Roderick, shaken by the idea of a traitor, puts a bounty on whichever Usher colluded with the government against their blood. For Roderick and Madeline, every Usher heir and their significant others are a suspect. When pitching the role to Gugino, Flanagan asked her to play a character inspired by Poe's "The Raven." Between that and all the raven imagery it'd be easy enough to assume that Verna is a raven.
While all the other Ushers died in freak accidents, Verna places her finger on Lenore’s head and the girl passes away painlessly. The mysterious woman from Roderick and Madeline Usher’s past is Verna. She’s a shape-shifting demon/Angel of Death/immortal being that Roderick and Madeline meet in the year 1980 at a bar on New Year’s Eve.
Consequently, she has an intrinsic connection with mortality and immortality. Therefore, before she claims Roderick and Madeline, she compels the former to meet with Dupin to disclose every secret to ensure his memory, now immortalized in human consciousness, holds some truth behind it. From Bush and the Rockefellers to Zuckerberg, Pym finds photos of the strange woman peppered everywhere on the internet, dating back to 1901. Although no clear answer is given about her identity, we can assume Verna is a celestial being going as far back as civilizations, humanity, and even time. In the deal she makes with Madeline and Roderick in the early hours of January 1, 1980, she clearly lays out the terms, and they accept them. And Verna, to her credit, expresses deep remorse that she must kill Lenore, the only innocent member of the Usher family, and grants the teenager a painless death.
Since he has spent his entire life running away from his actions’ repercussions, the sudden need to repent seems odd. The show enhances both sides of the coin as it unfolds, tracking Roderick’s past as well as his present. The farther back one looks, Roderick’s ambitions and cutthroat attitude come to light.
She burst above ground, strangling Roderick as a surrounding storm began to take their childhood home down to the ground with them, just as Dupin got out of the house in time. This death comes as a major twist; throughout the conversation between Roderick and Dupin, he notes that he's not answering texts he's receiving from his granddaughter. As you may remember, Madeline's plan was to turn Fortunato into a tech company, and one of her major projects was A.I. Consciousness, created from scanning people's social media posts and more. In a direct reference to Poe's most famous work (and how did we not see this coming with the name "LENORE"?!), A.I.
Despite her pure intentions, she’s still an Usher — and a deal is a deal. “There’s a lot about my job that I love, but there are moments like these that bring me no joy,” Verna tells Lenore. She praises the young girl for defying her family, and because of her decision, she’ll go on to save millions of lives.
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